GUTENBERG13928-8 #78 Plays, Acting and Music A Book Of Theory

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The Project Gutenberg EBook of Plays, Acting and Music, by Arthur Symonsalways supposed it to be, that geometrical symbol of a face, turns out to be precisely the face of the Japanese woman when she is made up. So the monstrous entanglements of men fighting, which one sees in the pictures, the circling of the two-handed sword, the violence of feet in combat, are seen to be after all the natural manner of Japanese warfare. This unrestrained energy of body comes out in the expression of every motion. Men spit and sneeze and snuffle, without consciousness of dignity or hardly of humanity, under the influence of fear, anger, or astonishment. When the merchant is awaiting Shylock's knife he trembles convulsively, continuously, from head to feet, unconscious of everything but death. When Shylock has been thwarted, he stands puckering his face into a thousand grimaces, like a child who has swallowed medicine. It is the emotion of children, naked sensation, not yet clothed by civilisation. Only the body speaks in it, the mind is absent; and the body abandons itself completely to the animal force of its instincts. With a great artist like Sada Yacco in the death scene of "The Geisha and the Knight," the effect is overwhelming; the whole woman dies before

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